![]() ![]() Its thinnest weight was designed by Berton Hasebe. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. But, over the years, Helvetica would move away from its roots. Schwartz completed the family in 2010 for Richard Turley at Bloomberg Businessweek. The original metal Neue Haas Grotesk⢠would, in the late 1950s become Helvetica®. Schwartz’s revival was originally commissioned in 2004 by Mark Porter for the redesign of The Guardian, but not used. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).” “Much of the warm personality of Miedinger’s shapes was lost along the way. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.įor Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. Designed by Christian Schwartz in 2011 and Max Miedinger in 1957. The typeface was soon revised and released as Helvetica by Linotype AG.Īs Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. ![]() The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann.
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